浙江杭州開元森泊度假酒店樹屋設(shè)計 | 王暉建筑工作室

^{△ 陽光下的樹屋，Tree House in the sun ?劉曉俐}

1、巢居

Nest Residence

杭州開元森泊度假酒店位于蕭山湘湖度假區(qū)，“樹屋”屬于其中的度假屋版塊。

樹屋可能源于回歸“巢居”的愿望。據(jù)《韓非子》記載，“上古之世，人民少而禽獸眾，人民不勝禽獸蟲蛇，有圣人作，構(gòu)木為巢，以避群害”。原始的巢居后來成了一種避世隱居的隱喻，明代造園家計成在《園冶》中寫道，“足征市隱，猶勝巢居?！?/p>

拿到“樹屋”這個命題作文以后，在推敲中我們形成了一個判斷：最能強(qiáng)化巢居特征的并非獨居，而是在樹上的群居狀態(tài)——“樹梢之間的一堆小房子”作為最初的意象浮現(xiàn)出來。

^{Located in Xiaoshan Xianghu Resort, the ‘Tree House’ belongs to the hotel district of Senbo Resort Hangzhou.}

^{The tree house may originate from the desire to return to the ‘nest residence’. According to the ‘Han Feizi’ record, ‘In the ancient times, there were few people but many beasts. The people were under the threat of beasts. There was a sage who made nests of woods to avoid harm.’ The primitive nest residence later became a metaphor for retreating from the world. The Ming dynasty gardener Ji Cheng wrote in ‘Yuan Ye’, ‘Living in city can also be a kind of seclusion, and it is even better than the nest residence.’}

^{After getting the proposition of ‘tree house’ and taking careful consideration, we gradually clarified the concept: it is not the solitary living but the state of gregariousness on the tree that can strengthen the characteristics of nesting the most, -‘A group of cabins landing on the branches’ emerged as the initial image.}

^{▲ 總體鳥瞰，overall view ?劉曉俐}

^{▲ 總體鳥瞰，overall view ?劉曉俐}

^{▲ 樹屋外觀，appearance of Tree House ?劉曉俐}

^{▲ 樹屋外觀，appearance of Tree House ?劉曉俐}

2、幾何與自然之間

Between Geometry and Nature

將抽象化的居住建筑原型進(jìn)行堆疊的設(shè)計，無論在歐洲還是日本都有先例，但更偏于幾何形體操作，空間體驗也常局限于室內(nèi)?；谶@個項目的商業(yè)性質(zhì)以及所處的山野環(huán)境，我們把設(shè)計的重點放在了抽象與形象、室內(nèi)與室外、幾何與自然之間的均衡狀態(tài)。

因此“對偶與平衡”的手法貫穿于設(shè)計的各個方面。仿真的枯樹干直接喚起了自然中的巢居意象，但避免枝繁葉茂的過度寫實；坡屋頂基本不出檐，保持簡潔的幾何體特征，但每間都有陽臺凸凹，原初的方案立面也呼應(yīng)周圍的林木蔥蘢；單體房間與自然樹木相偎依，而形體的穿插關(guān)系又保留了一定的人工化狀態(tài)。

^{The design of stacking abstract volumes of residential prototype has precedents in Europe and Japan, but most are more inclined to geometrical manipulation and often limited to the internal experience. Based on the commercial character of this project and the mountain environment, we focused on the balance between abstraction and image, indoor and outdoor, geometry and nature.}

^{Therefore, the manner of "duality and balance" are implemented through all aspects of design. The simulated dead tree trunk directly evokes the image of nesting in nature, but avoids over-realism with lush foliage. The single sloping roof basically has no eaves and maintains simple geometric features. Each cabin has a balcony, the original facade also echoes the verdant surrounding forest. These volumes are nestled with natural trees, and the interspersed relationship of the shapes retains a certain artificial state.}

^{▲ 樹屋單體鳥瞰，bird's-eye view of single Tree House ?劉曉俐}

^{▲ 樹屋近景，close view of Tree House ?劉曉俐}

3、三種元素的交織：徑、臺、屋

The Interweaving of Three Elements: Path, Platform, House

樹屋的體驗是從“爬樹”開始的，因此我們對室外路徑和室外體驗格外重視——迴轉(zhuǎn)登高的路徑猶如“攀爬”，不同高度的室外露臺猶如可以停歇的“樹杈”，而居室相當(dāng)于樹上的“果子”。路徑有斗折蛇行、忽明忽暗的空間體驗，露臺是舒適的室外活動空間。雖然每幢樹屋都包含好幾棵具有結(jié)構(gòu)作用的仿真樹，但在概念上它是由“路徑-平臺-房子”三種元素組成的“一棵大樹”。

^{The experience of the Tree House starts with " tree climbing". We pay special attention to the outdoor path and experience-the zigzagging path is like "climbing", outdoor terraces of different heights are like "tree branches" for little rest, and the house is equivalent to the "fruit" of the tree. The path has the experience of winding, light and shade changes, while the terrace is a comfortable outdoor activity space. Although each Tree House contains several artificial trees with structural functions, it is conceptually a "big tree" composed of three elements of "path-platform-house".}

^{△ 攀登路徑，climbing pathway ?劉曉俐}

^{▲ 路徑與空間，pathway & space ?劉曉俐}

^{▲ 路徑與空間，pathway & space ?劉曉俐}

^{▲ 樹屋平臺，platform of Tree House ?劉曉俐}

^{▲ 樹屋平臺，platform of Tree House ?劉曉俐}

^{▲ 樹屋室內(nèi)，the Interior of Tree House ?CC} 

4、童話

 The Fairy Tales

考慮樹屋的受眾多為親子家庭和年輕人群體，六個房間采用了兩種造型：帶凹陽臺的雙坡頂和帶凸陽臺的切角四坡頂，后者強(qiáng)化了一定的童話效果。原方案中還有從平臺到地面的滑梯增加童趣。當(dāng)夜晚的燈光在樹梢間亮起，“七個小矮人”的故事似乎即將登場。

^{Considering that the Tree House is popular among families and the youth, the six rooms adopt two shapes: double slope roof with concave balcony and cut corner four slope roof with convex balcony. The latter further strengthens the fairytale effect. In the original design, there is a slide from the platform to the ground to add fun. When the lights come on at night, it seems that the story of the "seven dwarfs" is about to begin.}

^{▲ 山野間的樹屋，Tree House in the valley ?劉曉俐}

^{▲ 樹屋夜景，night view of Tree House ?劉曉俐}

5、未完成

Incomplete

最終建成的6幢樹屋受到了市場的熱烈追捧，成了網(wǎng)紅打卡點，樹屋甚至被用在王菲拍攝的2021年新版廣告的片頭。然而對主創(chuàng)人員來說，仍有不少完成度方面的遺憾。施工中對單體立面的過度簡化、窗的形態(tài)改變、滑梯取消等等，都讓它的效果有所折損。

^{Tree House was so popular that it became internet celebrity check-in point, and was even used in the opening title of Faye Wong's new 2021 AD campaign. For designers, however, there are still many regrets. During the construction, the oversimplification of the single facade, the change of window shape, the discard of the wooden shingle, and so on, all make its effect eroded.}  

^{▲ 樹屋施工過程，the construction process of Tree House ?WCTG}

^{▲ 樹屋模型渲染，perspective drawing ?WH studio}

樹屋的立意并不高深，它之所以吸引了各地慕名而來的游客，也許是因為它在抽象的同時仍然保持了貼近自然的形式，滿足了人們返璞歸真的心理需求。就像雷姆?庫哈斯在《Content》一書中寫的那句話，“How old what was modern looks. How fresh what is ancient”（現(xiàn)代是多么陳舊，原始是多么新鮮）。

^{The concept of the Tree House is not profound. it attracts tourists from all over the world, perhaps because it is abstract but still close to the nature, and meets the psychological needs of people to return to primitive imagination. As Rem Koolhaas wrote in Content, "How old what was modern looks. How fresh what is ancient."}

^{▲ 1F平面圖，1F plan ?WH studio}

^{▲ 2F平面圖，2F plan ?WH studio}

^{▲ 3F平面圖，3F plan ?WH studio}

^{▲ 4F平面圖，4F plan ?WH studio}

^{▲ 5F平面圖，5F plan ?WH studio}

^{▲ 立面圖，elevation ?WH studio}

^{▲ 剖面圖，section ?WH studio}

^{項目名稱：杭州開元森泊度假酒店 樹屋}

^{主創(chuàng)設(shè)計：王暉建筑工作室（公眾號同名）}

^{聯(lián)系郵箱：wang_hui@zju.edu.cn}

^{方案設(shè)計團(tuán)隊：（王暉建筑工作室）王暉、王蓉蓉、秦闐怡}

^{施工圖團(tuán)隊：（杭州萬丈規(guī)劃建筑設(shè)計有限公司）關(guān)建波、黃敏、徐新峰、何鏵強(qiáng)}

^{建筑面積：1750㎡（共6棟）}

^{設(shè)計-建成時間：2015-2019}

^{地址：浙江/杭州/湘湖旅游度假區(qū)}

^{客戶：開元森泊度假酒店}

^{攝影：劉曉俐}

^{材料：鋼框架 仿真樹 杉木 防腐木 油氈瓦等}

^{Project name: Senbo Resort Hangzhou Tree House}

^{Architect’ Firm: WH studio}

^{Contact e-mail: wang_hui@zju.edu.cn}

^{Design team: （WH studio）WANG Hui，WANG Rongrong，Qin Tianyi}

^{Construction team:（Wanzhang Cultural Tourism Group）GUAN Jianbo, HUANG Min, XU Xinfeng, HE Huaqiang}

^{Floor area：1750㎡ (6 buildings in total)}

^{Design - Completion time： 2015-2019}

^{Project location: Xianghu Resort，Hangzhou，Zhejiang Province}

^{Photographer：LIU Xiaoli}

^{Material: steel frame, artificial tree, fir, anticorrosive wood, Asphalt Shingles, etc.}

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