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蘇州永威姑胥府景觀設計 | 山水比德

山水比德 2020-08-19

原創

項目名稱：

蘇州永威姑胥府景觀設計
項目地點：

江蘇蘇州
設計公司：

山水比德
委托方：

永威置業（蘇州永鴻置業有限公司）
建成時間：

2019年12月

藝術表象之下，是生活的可感知性

構建行為背后，觀者找尋意象記憶線索

經主觀判斷，引發其與空間的情緒

進而刺激--似曾相識之感（Déjà vu）

在蘇州街角的友新路999號，我們

將古蘇州城的印象演化為現代景觀裝置

把“園中園”放在了開放的城市街區

成為人們可親近、觸摸、聯想的藝術表達

^{From art are feelings towards life}

^{In buildings visitors find memories and clues}

^{By subjective judgments the emotions rise from the space}

^{Then Déjà vu comes into being}

^{At No. 999 Youxin Road, Suzhou}

^{We turn the image of ancient Suzhou city into modern landscape settings}

^{Put “garden in garden” in an open urban street}

^{Make it an artistic expression for people to touch and think}

現代“盒中山水”景觀思考

^{Modern Idea of “Landscape inside Box”}

如何能滲透蘇州城往日的靈韻

以重新召回那似曾相似的情感？

江南水鄉的蘇州，國人心目中的現世，但又是只存在于記憶中的桃花源。在姑胥府的景觀營造上，因尺度和功能皆有其局限性，如何能在咫尺之地瞭望蘇州的煙云神韻，如何重塑這份記憶，就成為這個設計的主要出發點。

我們試圖打破直接的模仿，進而以間接跳躍的方式把蘇州園林進行分離、抽象和再組合成一個景觀裝置，讓居民能在驚鴻一瞥中體察到蘇州的隱喻性印象，保留下這座城市的記憶痕跡。

^{How to input the traditional style of Suzhou to recreate déjà vu?}

^{The southern water city of Suzhou (also called “Gusu” and “Guxu” in ancient China) is an ideal settlement environment in the eyes of Chinese people, and also the Taohuayuan (a paradise hidden from the outside world) only remaining in memory. In the landscape planning of Guxu Mansion, due to its limitations in scale and function, the design primarily started from how to let people experience Suzhou’s charm in such a small place and how to recreate déjà vu.}

^{We tried to abstract Suzhou gardens and reorganize a new landscape in an indirect and unconventional way, instead of directly copying, impressing residents there by the metaphorical image of Suzhou deeply from a glimpse.}

生成 Brainstorm

造型與記憶之間，建立可感知的觸發機制。

記憶機制的成敗關鍵在于：構成造型的基本“骨架（framework）”能否誘發觀者的內在意識和情感。因此，如何搭建骨架就變成了設計的核心問題。

在理想的狀態中，骨架須與蘇州城市緊密相關，再進一步說，從蘇州的城市空間組織和元素中提煉出來的骨架，即是本設計的原型（prototype）。

^{A feeling trigger mechanism is built between design and memory.}

^{The key to a memory mechanism is that the design framework could arouse visitors’ internal consciousness and feelings. Therefore, how to build such framework is the essential part of the design.}

^{Ideally, the framework should be closely related to Suzhou. In other words, the framework developed from urban space organization and elements of Suzhou is the prototype of the design.}

構思 Concept

設計原型的思考建立于這樣的兩種假設之上：

A、從多層次的結構空間上凝練而來的蘇州印象，要比單層次的提取某個元素和符號，具有更大的潛力和機會激發觀者的情感記憶。

B、從在多個層次上抽離蘇州空間結構的特點，形成具有某種一致性的設計原則，也能在最大程度地刺激觀者的似曾相識之感（Déjà vu）。

在庭、園、宅、橋和城的五重結構中，隨機自由與規則秩序、穩定基礎與漂浮框架便是本項目的造性骨架，正是在自由與幾何間，在綿延與轉折間，在軟質與堅硬間，在白色與深色間……在山與水間，具有張力性的景觀裝置，渴望重新喚起蘇州城的歷史性記憶。

本設計，一方面，將從點到面等六個層次上入手搭建景觀的空間骨架，一方面，在從點到線等不同層次上提煉空間的共性，共同形成設計的基礎骨架。而基礎骨架可以被設定成一種“抽象性張力性骨架”。

^{There are two assumptions for the conception of the prototype:}

^{A.The image of Suzhou refined by multileveled space structure has greater potential and more chances to evoke visitors’ emotions and memories than single-level utilization of some element or symbol.}

^{B.The characteristics of Suzhou’s space structure abstracted from several layers establish the design principle of coherence and arouse visitors’ déjà vu to the greatest extent.}

^{The framework of the design consists of liberty and order, stable foundation and floating frame in such five structures as courtyard, garden, residence, bridge and city. The stretching landscape settings recall the historical memories of Suzhou between liberty and geometry, coherence and transition, soft and rigidity, white and dark color.}

^{In the design, on one hand, a space frame for landscape was built from six levels from points to plane; on the other hand, the university in space developed from different levels from points to lines establish the framework of the design. This framework could be set as an “abstract and stretching framework”.}

蘇州園林-3.jpg

街角 Corner

繁華的蘇州，姑胥府山水空間，在街區等待“姑蘇”。

古典園林的現代變體，在開放的街角空間中，成為一種藝術景觀裝置的形式存在。

^{In bustling Suzhou, Guxu Mansion’s landscape shows Gusu elements at every corner.}

^{The modern style of classical gardens becomes a form of artistic landscape setting in any open corner.}

煙云 Mist

自然形態的物化，白，如云如煙。

懸浮的盒子是長廊的變體，幾何形式感十足，且懸浮于地表之上。

^{Natural forms are materialized, being white, like clouds and mist.}

^{Floating “boxes” are substantially corridors with a sense of geometric form above ground.}

山谷 Valley

三月姑蘇氤氳，山、谷云霧繚繞，詩意在發生。

不同空間的系統和不同的形式類型的對話中，觀者在片刻的凝視中，偶獲蘇州園林的真諦。

層層堆疊的山體，輪廓自由，蜿蜒分布于大地上，還與山間水體構成一種空間關聯。

Gusu in March is enshrouded by mist. Clouds and mist rising from mountains and valleys. A poetic life appears.

^{In different space systems and different forms of dialogues, visitors occasionally capture the essence of Suzhou gardens after starring the landscape for a while.}

意象 Imagery

以“山水骨架”為主體的景觀裝置，在想象的層面上，能夠觸發的似曾相識的記憶機制，那這份情感記憶到底到指向的是什么類型的精神意象呢？

^{With “mountains and rivers” as the framework, the landscape settings, imaginably, could trigger the memory mechanism of déjà vu. What kind of spiritual image will represent those emotions and memories actually?}

煙云鎖城！Enshrouded by mist and clouds

在紆余委曲的地形和水體上，懸浮著直方折褶的盒子，好似在騰發的煙雨中，窺見的姑蘇瓦臺，這種“合沓臻水陸，駢闐會四方”的都市風景，象征著那個讓人迷戀的蘇州圖景。

^{Square “boxes” above uneven terrain and successive water seem to be Gusu gardens amid dense mist. The urban landscape, which was built on the intersection where people come from all over the world, symbolizes the attractive Suzhou scenery.}