上海波普星藝術裝置設計 | 一本造建筑工作室

 ^{? 一本造建筑工作室}

我們所見的世界可靠嗎？

Is the world we see reliable?

人類視覺系統只有3種視錐細胞，面對萬物，猶如色盲；而鳥類獨特的視覺系統，擁有4種視錐細胞，能辨別更多色彩；很多昆蟲類擁有復眼，復眼是一種由不定數量的小眼組成，一般呈六角形。例如蜻蜓復眼的數目由1至3萬個不等，每一小眼都是一架小型照相機, 周圍的物體不斷被攝入形成圖象，可以觀測6米以內的事物。《波普星》的這件裝置來自于藝術家對一種超驗的視覺系統的渴望。

^{The human visual system has only three types of cones, so we are like colour blindness when we look at the world, compared with other creatures; While the unique visual system of bird contains four types of cones that allow them to distinguish a lot more colour; Many insects have compound eyes. It consists of a variable number of ommatidia, which is generally hexagonal. For example, the compound eyes of dragonflies consist of 10,000 to 30,000 ommatidia, and each ommatidium is a small camera that keeps shooting the surrounding objects to form an image, which can observe things within 6 meters. The installation “POP STAR” comes from the artist’s desire for a kind of transcendental visual system.}

^{▲項目遠觀 ? 黎偉，艾松，李豪}

^{? 黎偉，艾松，李豪}

《波普星》是以正二十面體的幾何形體為基礎，藝術家通過對空間的解構與形式的重構，最終以超越人類視覺閱讀尺度的體量構建起這件“龐然大物”，像是一只由另一時空維度飛入的外來物。讓人聯系起拉爾夫·沃爾多·愛默生說的一個超驗理論：“世界將其自身縮小成為一滴露水”，而藝術家將一個微小復眼放大成為一件龐然大物。

^{“POP STAR” is based on the geometric shape of the icosahedron. Through the deconstruction of space and the reconstruction of form, the artist finally constructed this “monster” with a huge volume that exceeds the human visual reading scale, like an alien object flying in from another dimension of time and space. Viewers could feel the association between the “POP STAR” and transcendental theory that Ralph Waldo Emerson said: “The world globes itself in a drop of dew”, while the artist enlarges a tiny compound eye into a behemoth.}

 ^{? 黎偉，艾松，李豪}

^{▲觀眾可進入中心部位  ? 黎偉，艾松，李豪}

觀眾可進入中心部位環看田野四周。在其“腹部”，她是靜穆的，被依賴的。而在其外部，他是極具壓迫感的，權力欲的。在不同的空間關系中，它既心如止水，同時也野心勃勃般。在兩種矛盾的張力之中，動與靜之間失去了辯證關系，視覺的感官成為了一種假象。

^{Spectators can enter the central area to look around the fields. In her “abdomen”, she is quiet, dependent, and maternal. While from the outside he is extremely oppressive, power-hungry, and fatherly. In different spatial relationships, it not only feels like water but also conveys an ambitious desire at the same time. Among the two contradictory tensions, the dialectical relationship between motion and static is lost, and the visual senses become a fraud and illusion.}

^{? 黎偉，艾松，李豪}

^{? 黎偉，艾松，李豪}

《波普星》就是處于這種似是而非的感知狀態里，這狀態表達出一種純形式的原始力量，一種來自本能的放大于拓張，這種力量脫離了文本與敘事，一種超驗主義的方式觀看未知的無界宇宙。它猶如觀看世界的眼睛，替代我們永恒的觀測著星空，猶如一顆大地之瞳。

^{“POP STAR” is in this paradoxical state of perception, which expresses a pure form of original power: It is a kind of amplification and extension from instinct. This power is freed from text and narrative, which view the unknown unbounded universe in transcendentalism way.}

^{▲項目鳥瞰效果 ? 一本造建筑工作室}

^{? 一本造建筑工作室}

^{? 一本造建筑工作室}

^{▲平面圖 ? 一本造建筑工作室}

^{▲立面圖 ? 一本造建筑工作室}

^{項目名稱：波普星}

^{類型：藝術裝置}

^{藝術家：李豪（一本造工作室）}

^{策劃人：艾松}

^{客戶：UiART}

^{插畫：王曉汀}

^{攝影：黎偉，艾松，李豪}

^{尺寸：15m*15m*15m}

^{地址：中國上海市橫沙島}

^{Project name: Pop Star}

^{Artist: Li Hao ( One Take Architects )}

^{Curator: Ai Song}

^{Client：UiART}

^{Drawing: Wang Xiaoting}

^{Photography: Li Wei, Ai Song, Li Hao}

^{Art Installation, 15m*15m*15m}

^{Address: Hengsha Island, Shanghai, China}

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