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西安融創曲江印藝術中心景觀設計 | 魏瑪景觀

魏瑪景觀 2020-11-04
原創
  • 項目名稱:
    融創曲江印藝術中心
  • 項目地點:
    西安
  • 項目規模:
    17,000㎡(紅線內)+21,000㎡(市政綠化帶)
  • 設計公司:
  • 委托方:
    融創西安
  • 建成時間:
    2019
  • 圖片來源:
    何震環


2019年初開始,魏瑪設計機構有幸參與西安融創曲江印項目的后期與植物設計工作。持續近一年的時間,過程是美好又艱辛的,不斷地交流與碰撞,反復推敲模擬每一個細節,解決接踵而來的每一個問題,落實一個個突然涌現的新想法.....最終讓西安融創曲江印完美呈現。

From the beginning of 2019, Weimar Design has the honor to participate in the construction design and plants design of the project ——Xi'an Rongchuang Qujiangyin. For nearly a year, the whole process was such beautiful and arduous with continuous communication and collision. We repeatedly deliberate and simulate every detail, solve every problem, and implement new ideas that emerge suddenly. Finally, Xi'an Rongchuang Qujiangyin is delivered perfectly.


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舞動的飄帶 Ribbon dancing

沒有靈魂的設計無法打動任何人,在鋼筋水泥的城市里面,那綠色森林里舞動的飄帶,將帶我們找尋已經失去的溫度。從一根根孤立的圓管到一條蜿蜒曲折的序列鋼板,或隱匿于芒草之中,或攀援與地形之上,亦或穿梭在蔥郁之中,連系著場地內外,延綿不斷,起伏上下,從一層到二層,從步道到天橋,從屋頂到公園,褪去鋼筋混泥土的笨重感,褪去鋼材的冰冷感,給場地繪上一條白色靈動的飄帶,淵源流長。

The design without soul cannot impress anyone. In the reinforced concrete city, the dancing ribbon in the green forest will take us to find the lost temperature.

From isolated circular tubes to meandering steel plates, it hides in the awn grass, or climbs on the terrain, or shuttles among the lush, connecting the inside and outside of the site, continuous, ups and downs, from the first floor to the second floor, from the footpath to the overpass, from the roof to the park. Without the bulky reinforced concrete and the cold steel, it draws a white and flexible ribbon on the site, lasting forever.

 


宛若盤龍式延綿不斷曲折輕盈的欄桿,看似只是一條簡單的曲線,過程卻經歷了數輪的反復斟酌與試驗。

It’s a dragon-shaped continuous winding handrail, looks like just a simple curve, but the process has gone through several rounds of repeated deliberation and test. 


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飄帶兩側的公園,觀賞草以大為美,植物設計上巧妙的設計運用了三種觀賞草——蒲葦、細葉芒、小兔子狼尾草。高中低搭配,常綠和落葉搭配。這三種植物即便在冬季枯萎也不倒伏,依舊保持著季相的交替,我們希望用植物,為來這里的人們,訴說一個關于生命“變化”的故事

There are many large ornamental grasses in the park around the ribbon. The planting designer cleverly used three types of ornamental grass in the site——pampasgrass, miscanthus and pennisetum. In planting design, we use the method of High and low collocation, evergreen and deciduous collocation. These three kinds of plants do not fall down even in winter. They still keep the seasonal alternation. We hope to share people a story about the "life change" through the plants’ seasonal change.

 

  

我們用數百棵烏桕和雪松在西安融創曲江印重現了那一片許久未見的森林,我們用大面積的觀賞草喚醒了每個人最柔軟的內心深處,而那一縷白色飄帶,是人們對生命的期待與探索,不斷前行。

We used hundreds of Sapium and cedar trees to recreate that long-lost forest in Xi'an Rongchuang Qujiangyin. We used a large area of ornamental grass to awaken everyone's softest inner heart. That white ribbon is like people's expectation and exploration of life, will keep moving forward.


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村口的大樹 The big tree at the village entrance

每個人心中都有“村口的大樹下等你”的青春歲月,它見證了我們青澀和成熟的時光。

村口的大樹,我們選擇了當地特色的皂莢樹,高度達到了15米,同時冠幅也達到了驚人的10米以上。大樹有靈。對于飽經滄桑和歲月的大樹,我們一直懷有敬畏之心。由于運輸的原因,在我們平時的設計當中高度12米,冠幅8米已經是一個植物設計師設計的極限值了。如此巨大的大樹,其中的困難可想而知,我們生怕有半點差池。

Everyone has the youth age of "waiting for you beside the big tree at the village entrance" in mind, which witnesses our youthful and mature time.

For the big tree at the village entrance, we chose the local saponacia tree with a height of 15 meters and a crown width of over 10 meters. The tree has spirit. We have always been in awe of the tree that has experienced the vicissitudes and years. Because of transportation reasons, choosing a tree with the height of 12m and the crown width of 8m is the limit values for a plant designer in the usual design. Such a huge tree, the difficulties can be imagined, we are afraid of any mistake.


 

在挖掘、運輸期間,土球草簾噴水覆蓋,樹干注入液,折騰抑制劑,各種藥品配備齊全。我們全程跟蹤,不敢有絲毫的大意。由于大樹的自重已經達到了驚人的27噸,我們在栽植的時候,130噸和30噸雙吊車聯合作業,花費了整整一天的時間才將大樹順利搬家。為了保證成活率,我們做到了全部原土運輸回填,精確還原了大樹原本的生長方向,最大限度的保證原有的生長環境和光照。

During the excavation and transportation, the grass ball curtain is covered with water, the trunk is filled with liquid and inhibitor, and all kinds of medicines are fully equipped. We followed the whole process and did not dare to take the slightest care. Since the weight of the tree has reached a staggering 27 tons, it took us a whole day to move the tree smoothly when we planted it with 130 tons and 30 tons of double cranes worked together. In order to ensure the survival rate, we have completed the transportation and backfilling of all the original soil, accurately restored the original growth direction of the tree, and guaranteed the original growth environment and light to the maximum extent.


孤獨的舞者 Lonely dancer

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每一棵樹都是一個故事,恰好有幸每個故事都有我們的參與。

好看的皮囊千篇一律,有趣的靈魂萬里挑一。跨越了多個省市,反復對比,只為找到我們心中想要的樹,最好的還原設計。在看似冰冷的、充滿工業化氣息的空間內,她似乎是孤獨的。但她與場地,與鏡面,與光影,與環境所營造出的不同感官,賦予了她全新的生命與活力。

這里是她的舞臺,只屬于她自己的舞臺,她是舞者,只靜靜的站著,便儀態萬千。當陽光從中庭灑落,又在波光粼粼的裝置中彌漫開來,所有的一切隨著光線暈染開來,美不勝收。

Every tree is a story. Fortunately, we have participated in every story. 

Good-looking skins are the same, but the interesting soul is the one in a million. We had crossed multiple provinces and cities for finding the tree we want. After repeated comparisons, finally we find the perfect one for the design.It seemed lonely in a seemingly cold and industrialized space. But the different senses created by the connection of the tree and the venue, the mirror, the light and shadow, and the environment. All these interactions give the “lonely dancer” a new life and vitality.

Here is the stage for her. The stage only belongs to her. She is a dancer. She will be graceful while only standing quietly. When the sun drips from the atrium and diffuses in the sparkling installation, everything is blooming with the light, it is just gorgeous.

 


行走的水苑  Walking water garden

當訪客從水苑經過時,遇見烏桕穿出三層的水面,之后轉入藝術展廊,三層水面下的空間重塑了藝術展廊的布局。采光盒子中間斑駁的光影、流動的水幕和搖曳的烏桕變成了展廊的主要藝術展品。而這其中,有非常重要的18株烏桕。

When visitors passed by the water garden, they met Sapium trees passing through a three-layer water surface, and then transferred to the art gallery. The space under the three-layer water surface reshapes the layout of the art gallery. The dappled light and shadow, the flowing water curtain and the swaying Sapium in the middle of the lighting box become the main art exhibits in the gallery. Among them, there are very important 18 Sapium trees standing here.


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18株烏桕,12個時辰,一整夜的陪伴,每一棵樹的前期選苗,每一株樹對應的位置節點......完美呈現了這個設計想要傳達的藝術氛圍與空間結構。

18 Sapium trees, 24 hours, a whole night working, the early selection of seedlings for each tree, the corresponding position node of each tree ... perfectly presents the artistic atmosphere and spatial structure that this design wants to convey structure.


 

當你進入空間,不管是從連廊(正面),后面的玻璃走廊(背面),2樓天橋(頂面),會發現每個位置看到的烏桕形態都各有風采,但又永遠無法盡觀全貌。

When you enter the space, no matter from the corridor (front), the glass corridor (back) at the back and the second floor overpass (top), you will find that the Sapium in each position has its own style, but you can never see the whole picture.


 

森林的魔幻 The magic of the forest

魔幻森林是我們最得意的創作。為了尋找更好的呈現方式,我們以原設計靈感為基礎,在此之上我們進行顛覆、尋找、沉浸、再造。

Magic forest is our most proud creation.In order to find a better way of presentation, we are based on the original design inspiration, on which we carry out subversion, search, immersion and reconstruction.


微信圖片_20191204143552.jpg 我們從充滿野性的自然森林,與細膩自然的水上花園中獲得靈感。巧妙的借用藝術長廊的東西地塊,在被混凝土夾雜的空間中設計一片魔幻森林。魔幻世界的光線透過樹冠打下來,一道道光影形成光柱。時間在這里靜止了,明與暗的界限從未如此的分明,但是卻又如此的協調與舒適。

We get inspiration from wild natural forest and delicate natural water garden. Ingeniously borrowed the east and west plots of the art gallery to design a magical forest in the space mixed with concrete. The light of the magical world hits through the canopy, and light and shadow form beams of light. Time is still here. The boundary between light and darkness has never been so clear, but it is so coordinated and comfortable.


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每個人進入這片魔幻森林,看到、聽到、感受到的都將不同。季節變化帶來的植物變更,樹葉的茂盛與凋零,也將帶人們進入到春夏秋冬四個不同的光影體驗中。不如,一起來這里走一走,感受光影與自然。

Everyone enters this magic forest, what they see, hear and feel will be different. The change of plants and the flourishing and withering of leaves brought by seasonal change will also bring people into four different light and shadow experiences in spring, summer, autumn and winter. Let's take a walk here and feel the light, shadow and nature.

  

 

在這個場地中有一座輕盈的室外旋轉樓梯的設計,因為跨度及結構、還有工期等種種問題,都在試圖將這座創意的旋轉樓梯落地轉向平庸,這是項目落地過程中經常會遇到的。但我們堅持原設計不變,沒做任何妥協。從方案到施工落地,與廠家、施工方的一次次溝通碰撞中,最終將這座旋轉樓梯極大程度的還原落地,并以優雅的姿態呈現。

There is a light outdoor revolving staircase in this site. At first, because of span, structure, construction period and other problems, they are trying to turn the creative revolving staircase to mediocrity, which is often encountered in the process of project landing. But we stick to the original design without any compromise. From the scheme to the construction landing, in a series of communication and collision with the manufacturer and the construction party, the rotating staircase is finally restored to the ground to a great extent and presented in an elegant manner.


  

 

莫奈的花園 Monet's garden

如果說每個人心中都有一片森林,那二樓屋頂就是每個人心中的秘密花園。

If there is a forest in everyone's mind, the roof on the second floor is a secret garden in everyone's heart.

 


屋頂花園大膽采用了幾十種觀賞草來打造這個與眾不同的花園。在成都、上海多地苗圃走訪取景,選擇適應西安極寒天氣的花園材料。在選擇觀賞草的時候注意選擇了以直立型為主的品種,保證冬季枯萎也有效果保證。同時增加了部分常綠的觀賞草品種比如各種蒲葦類,在枯萎蕭條的冬季也有景可觀。各種宿根類植物星星點點穿插其中增加浪漫和藝術的氛圍。

We boldly used dozens of ornamental grasses to create this unique garden. Visited in many nurseries in Chengdu and Shanghai, we selected garden materials suitable for the extremely cold weather in Xi'an. In the selection of ornamental grass, we should pay attention to the selection of the vertical type of the main varieties to ensure the effectiveness even when plants are withered in winter. At the same time, some kinds of evergreen ornamental grasses, such as various pampas grasses have been added, which will also make the scenery impressive in the withered and depressed winter. All kinds of perennial plants are interspersed with each other to increase the romantic and artistic atmosphere.


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設計手法上,拋開了常規的塊狀和點狀,不再強調線條美感,大膽的采用混合式的栽植形式,各種品種咬合和扣環,模糊灌木線條,力求渾然一體的自然花園形式。一歲一枯榮,從未有這樣一個花園,它的生命變化是這樣的明顯和與眾不同。靜下心來,身臨其中,迷失在時間的流逝中。

In the design method, the traditional block and dot shape are put aside, and the aesthetic feeling of lines is no longer emphasized. The mixed planting form is boldly adopted, and various varieties are mixed to blur the Bush lines, so as to strive for a natural garden form of integration.There has never been such a garden, and its life change is so obvious and distinctive. Calm down and get lost in the passage of time.


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后記: 每一次理念的聆聽,每一次思路的碰撞,每一個細節的推敲,每一次圖紙的推翻,每一個現場的打樣,每一段大膽的嘗試......我們希望將融創曲江印做出創新,做出細節,做出不一樣。而事實證明,我們做到了,一切辛苦和付出都是值得的,一個優秀的作品,就是在這樣不斷的摸索中慢慢呈現出完美的樣子。感謝為這個項目付出過的所有人,是你們的嚴謹與卓越,共同打造了西安融創曲江印。

Postscript: Every listening of ideas, every collision of ideas, every detail deliberation, every overthrow of drawings, every on-site proofing, every bold attempt... We hope to create Qujiangyin that more innovative, more detailed, and more unusual. Actually, we did it. All the hard work and efforts were worth it. An excellent work is to gradually present a perfect appearance in such constant exploration. Thank you for everyone who has contributed to this project. It is your preciseness and excellence that created Xi'an rongchuang Qujiangyin in a perfect way.

 

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項目基本信息

項目名稱: 融創曲江印藝術中心      【2019-2020第六屆地產設計大獎?中國   銀獎】

完成年份:  2019

項目面積: 17,000㎡(紅線內)+21,000㎡(市政綠化帶)

項目地點: 中國西安

設計公司名稱(景觀/建筑): 上海魏瑪景觀規劃設計有限公司

公司網址: www.weimargroup.com

聯系郵箱: shannel@weimargroup.com

景觀設計:T.R.O.P : terrains + open space

景觀設計團隊:Pok Kobkongsanti,任扶桑,銀華梅,唐韻雅,Lhek Pitchayut

景觀施工圖深化:上海魏瑪景觀規劃設計有限公司D部

軟景深化:上海魏瑪景觀規劃設計有限公司植物設計部

客戶/開發商:融創西安

合作方: 建筑設計:GAD;景觀施工承包商:蜀漢(紅線內)+ 新綠洲(市政綠化帶)

攝影師: 何震環

攝影師網址或聯系方式:  河貍景觀



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投稿郵箱:info@landscape.cn

項目咨詢:18510568018(微信同號)


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